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For the superfan and the curious alike, this is the band-curated entry point and career-spanning collection of songs from the one and only Rilo Kiley, who defined a generation and continues to influence indie rock to this day.
After a long absence, Rilo Kiley—Jenny Lewis, Blake Sennett, Jason Boesel, and Pierre “Duke” de Reeder— are back, with arms outstretched.
Over the years, a reunion “felt like a possibility, but it was never the right time,” explains Boesel. “Planning this reunion over these past months has been like reconnecting with family. We haven’t missed a beat,” says De Reeder. “The stakes are only to have a good time, to revel in this nostalgia. Getting to revisit and celebrate the music from that special time of our lives while experiencing it alongside a lot of people that lived it with us back when, and new folks alike.”
The new Rilo Kiley album, That’s How We Choose to Remember It, is a collection of career-spanning songs that hit its audience with a breath of honest, fresh air. “For some people, Rilo Kiley evokes a formative, emotional time in life, when you were maybe grasping for your place in the universe. We were too,” says Sennett.
We’ve all got a memory or two with the songs of Rilo Kiley. Maybe belting “I Never” or requesting “The Frug” at a show in the early 2000s. This latest collection celebrates the music so deeply held by many of us. Here’s to Rilo Kiley, their reunion, and the next generation of listeners to love this band as much as we do. Long live Rilo Kiley.
With Trying Not to Have a Thought, Algernon Cadwallader juggle intrinsic musical connection and shrewd lyrical intention with remarkable poise. The album’s title perfectly captures that dual approach: the effort to resist being mentally bogged down by the bottomless list of daily atrocities, and the band’s decision to let their unspoken connection guide this rejuvenated take on their classic sound. “This is just what comes out of us when these four people get in a room,” Helmis says. And this record is exactly that: an Algernon Cadwallader album that's leisurely, intensely, tremendously their own.
The 21st installment of Saddle Creek’s Document series features Whitmer Thomas, a multi-hyphenate whose unique vision has percolated across a range of mediums including TV, film, podcasts, and music. Tilt was recorded in Los Angeles with Jay Som and features contributions from Ian Farmer (Slaughter Beach Dog, Modern Baseball).
With I Hope We Can Still Be Friends, his debut for Saddle Creek, Dean Johnson makes a pact with the listener: He will sing you his truth in the most heartfelt and charming way possible, if you promise to keep an open mind.
