Digital Ash in a Digital Urn
Digital Ash is a percussion-soaked, electro-pop/indie-electronic collection that owes many of its sounds to the likes of Her Space Holiday, the Postal Service and maybe even Four Tet. Fuzz, bleeps, bloops, blips, blops, clips, clacks, choops, doots, dips, and doots fill out the background as Oberst spews out his characteristic vocal melodies and concerned lyrics. The formula is rather formulaic throughout the album causing it to be stagnant at times and rewarding at others - roughly a 50/50 mix of the two making it inoffensive enough to enjoy on some level or another.
The stagnancy on tracks such as "Down in a Rabbit Hole" and "Devil in the Details" comes from their respective downtrodden, fruitless effects - nothing really stands out, and even Oberst seems cashed on the idea of this electro-pop attempt. Then he does a 180 and spits out tracks like "Take it Easy (Love Nothing)," which Jimmy Tamborello programmed, and "Light Pollution," a track that will have you hoping Oberst can master the electro-pop thing and never pick up an acoustic again. And it's not to say that all the browbeaten tracks on the album are throwaways. The closer, "Easy Lucky Free," is easily a standout with its end-of-an-emotional-don't-leave-me-I-love-you-so-much-my-life-is-shit-without-you movie appeal.
It really is tough to say if Oberst will attempt another album of this magnitude before his seemingly endless music career fades. It's as if he almost has it, but it's not all quite there. The ideas are solid and the melodies are golden for the most part. In the end, however, Digital Ash in a Digital Urn comes off as a bit awkward and possibly even a bit forced. Nevertheless, a burly - perhaps even risky - attempt for Bright Eyes.
LP / CD / MP3
LP / Deluxe LP / CD / Deluxe CD / MP3